Bhartha Mahasayulaku Wignyapthi Review: Ravi Teja’s Restrained Comedy Shines Briefly In An Uneven Relationship Drama
Bhartha Mahasayulaku Wignyapthi, directed by Kishore Tirumala, is a film known for his ability to create films that are uplifting in nature and entertaining, also comedic in things. The comedy/drama genre of Wignyapthi will bring many of the normalities of commonplace through humour. The well-rounded characters and character development throughout the movie will give us an insight into how the choices that we make every day relate back to the relationships we build with others, ultimately effecting how we live our lives. It still is indeed a departure in tone from the traditional movie formula as the film is not entirely successful.
STORYLINE
The film's premise centers on Ram (a.k.a. Satya) who is married, and he had a brief romantic relationship with Manasa (played by Ashika Ranganath) while on business overseas. As a result of the short-lived flirtation, when Manasa moved from Singapore to Hyderabad, she became a complicating factor in Ram's stable marriage to Balamani (Dimple Hayathi). Ram tries to hide the affair; but as a result of a combination of coincidences, miscommunication, and funny scenarios, Ram ends up caught in an unfortunate situation. The underlying themes of guilt, dishonesty, and anxiety of being found out are portrayed in the movie using humour instead of emotional turmoil.
POSITIVE POINTS
The movie's initial section is its highlights and uses Kishore Tirumala's preferred style of writing. Ravi Teja is believable as a flawed husband graphic as he is able to temper his usual exuberance to play this role. The performance provided by the supporting cast with Sunil, Vennela Kishore, Satya, Getup Srinu, and Muralidhar Goud provides a reliable source of humour throughout. The clever use of the alter-ego concept allows for elaborate dialogue delivery from Ravi Teja to present his guilt inner thoughts about Ram's actions and decisions. The two female leads provide strong, confident performances (notably, they did not have much exposure until now) and the songs (particularly the folk song 'Vammo Vayyo') are mostathly aesthetically pleasing.
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NEGATIVE POINTS
After the intermission, the film loses its momentum. The story avoids building up to a major climactic moment and replaces potential tension with contrived comic relief moments. Subplots, such as the corny rowdy brother storyline and the drawn-out hotel sequence, feel superfluous. There are some humorous scenes, such as the dumb charades routine, which were not delivered with maximum impact.
Overall: Bhartha Mahasayulaku Wignyapthi concludes with pockets of charm and restraint, but overall, it misses out on the full potential of the film's value with its performances and premise. There is entertainment, but it is limited, thus, it will leave audiences feeling moderately compensated.



